Bridges

2022
/
Orchestra

Details

Category

Orchestra

instrumentation

for orchestra

duration

15 minutes

commissioned by

premiered by

Jacksonville Symphony / Courtney Lewis

Purchase Score

Bridges is a tribute to the city of Jacksonville, its diverse communities, and the bridges that bring them together. As Mary Carr Patton Composer-in-Residence with the Jacksonville Symphony, I have had the opportunity to learn about Jacksonville (and St. Augustine) by visiting museums and galleries, historic landmarks, educational institutions, and by meeting with contemporary artists, art supporters, and residents. A central inspiration for the music comes from my visits to several schools in different neighborhoods of Jacksonville where the young students improvised sound of their neighborhoods, particularly sounds of water, weather, and traffic.

Bridges begins with an acknowledgement of the early cultural encounters of Northeast Florida along the St. Johns River from the time of Ossachite to Cowford to Jacksonville, including the Timucua (Saturiwa), French, Spanish, West African, British, Seminole, and Americans. Following this are musical responses to my experiences while visiting Jacksonville. While bridges may separate the city, this piece celebrates how through people’s intentions and actions, they can bring the city together.

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Bridges

2022
/
Orchestra
Purchase Score
duration

15 minutes

instrumentation

for orchestra

premiered by

Jacksonville Symphony / Courtney Lewis

commissioned by

Bridges

Bridges is a tribute to the city of Jacksonville, its diverse communities, and the bridges that bring them together. As Mary Carr Patton Composer-in-Residence with the Jacksonville Symphony, I have had the opportunity to learn about Jacksonville (and St. Augustine) by visiting museums and galleries, historic landmarks, educational institutions, and by meeting with contemporary artists, art supporters, and residents. A central inspiration for the music comes from my visits to several schools in different neighborhoods of Jacksonville where the young students improvised sound of their neighborhoods, particularly sounds of water, weather, and traffic.

Bridges begins with an acknowledgement of the early cultural encounters of Northeast Florida along the St. Johns River from the time of Ossachite to Cowford to Jacksonville, including the Timucua (Saturiwa), French, Spanish, West African, British, Seminole, and Americans. Following this are musical responses to my experiences while visiting Jacksonville. While bridges may separate the city, this piece celebrates how through people’s intentions and actions, they can bring the city together.