Sanctum (Chamber Version)

2020
/
Chamber Ensemble

Details

Category

Chamber Ensemble

instrumentation

chamber orchestra and recorded sound (1.1.1.1 - 1.1.1.1 - perc (2) - recorded sound - strings)

duration

12 minutes

commissioned by

premiered by

London Sinfonietta with Vimbayi Kaziboni, conductor

Purchase Score

Sanctum, for orchestra and recorded sound, explores the sound of improvisation in Holiness-preaching traditions. I drew inspiration from recorded sermons: The Praying Slave Lady by Pastor Shirley Caesar, The Eagle Stirs Her Nest by Reverend C. L. Franklin, and Reverend Charles Albert Tindley’s hymn, Stand By Me. Included are the voices of Marlene Pinnock and of activists in Ferguson, Missouri from 2014. Sanctum is my artistic response to recent events of police brutality. By employing techniques of layered repetition, rhythmic intensity, sounds of moaning and whooping, and voices of the past and present, Sanctum invokes solace found in the midst of persecution and tribulation. Sanctum was commissioned and premiered by American Composers Orchestra with the generous support of The Jerome Foundation and The Peter Heller Fund. The chamber version was commissioned by the London Sinfonietta.

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cOMPONENT divider
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Sanctum (Chamber Version)

Purchase Score
duration

12 minutes

instrumentation

chamber orchestra and recorded sound (1.1.1.1 - 1.1.1.1 - perc (2) - recorded sound - strings)

premiered by

London Sinfonietta with Vimbayi Kaziboni, conductor

commissioned by

Sanctum (Chamber Version)

Sanctum, for orchestra and recorded sound, explores the sound of improvisation in Holiness-preaching traditions. I drew inspiration from recorded sermons: The Praying Slave Lady by Pastor Shirley Caesar, The Eagle Stirs Her Nest by Reverend C. L. Franklin, and Reverend Charles Albert Tindley’s hymn, Stand By Me. Included are the voices of Marlene Pinnock and of activists in Ferguson, Missouri from 2014. Sanctum is my artistic response to recent events of police brutality. By employing techniques of layered repetition, rhythmic intensity, sounds of moaning and whooping, and voices of the past and present, Sanctum invokes solace found in the midst of persecution and tribulation. Sanctum was commissioned and premiered by American Composers Orchestra with the generous support of The Jerome Foundation and The Peter Heller Fund. The chamber version was commissioned by the London Sinfonietta.